02/06/2020

Ch, ch, ch, ch, changes

One night at the end of the XXth century, a famous British TV program announced the end of the century including biggest changes ever, while images of all kind of technological advances were projected, from modern planes to nuclear mushrooms. The historian Ian Mortimer saw the connection between change and technology clearly, but not so clearly such a statement. He spent two years reviewing the last ten centuries of the Western civilization, highlightening from each one the key events and concluding that it is true that the XXth century includes a lot of big changes, but the rest of the centuries are no slouch. Including the XXIst, which started unruly.


XI: Castles and kingdoms

From the year 1000 the feudal scene was drastically modified by castles. A shelter to be safe from the enemy attacks strengthened the link between the lord and his lands, because even if a retirement in the battle camp was forced, he could come back and claim them —just in the case he was able to keep the control of the castles—. This is why the lords were setting in their possesions by fidelizing their vassals to defend them, fact that lead to greater stability that allowed them to begin to think of themselves as rulers of a territory closer to a kingdom or country than to a tribe or village.

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Some castles are so strong that have survived till now, as Loarre, built in the XIth century at the entrance of the Aragon Pirinees, which is today one of the best conserved Romanic buildings in Europe — Image Unknown Author


XII: The control of knowledge

Later on, but not so later on, the settlement of hundred new monasteries triggered an explosion of the spread of knowledge. Monks seeking a wider comprehension of God travelled among them, specially among those of their same order, spreading news and sharing theological and historical papers and works which were stored in their libraries as currently is made in the Internet. The crusades, the Inquisition and the settlement of a parroquial system —that last till now— increased the direct influence of the Church over the people and the powerful idea of the Purgatory spread over every head.

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Umberto Eco famous novel reflects very well the relationship of the medieval Church with knowledge, while fray William of Baskerville and his pupil Adso de Melk investigate the crimes of an abbey — Image Jean-Jacques Annaud (‘The name of the rose’, 1986).


XIII: A wide range of variety

The appearance of the medieval market involved a huge change in the life of the people: from a subsistence and domestic consumption to the possibility of buying things, in addition of the access to exotics and till then unthinkable items such as fabrics, spices or dyes. The barter was the main character of the early transactions, but as the markets and fairs developed around Europe, money started to compete with land property as source of power until it became the only way to do business.

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Over time, medieval markets and fairs also served to share celebrations and strengthen ties — Image Pieter Brueghel the Younger (‘A village fair in honor of Saint Hubert and Saint Anthony’, 1564)


XIV: The Plague and class consciousness

In 1346 it was thought illness was a divine punishment, but the Black Plague killed more than a third of the Eurasian population in the next five years, and the shock was so huge that people started to rethink their relationship with the power, including even a God that allowed newborns to die without time to sin. That strenghtened the self-esteem of the working class, that started to rebel against their employers in uprisings as the Grande Jacquerie in France in 1358, or the Rebellion of the Farmers in England in 1381.

It is believed that the usual thing was five days from contagion to death, but the legend says that with the Black Plague it was possible to be healhty in the morning, have fever in the afternoon and die in the night, between horrible pains and stinky odors made by the inflammation of the lynf nodes — Image Unknown Author (‘The plague of the XIV century’ details of the fresco ‘The life of San Sebastian’, San Sebastian chapel, Lanslevillard, France, 1411)


XV: Expanding horizons

Beyond the tremendous importance of adding a new continent to the world map with the size of America, the adventure of Colon and his followers also brought along a very important intelectual turn. Explorers broke the prevailing myth in which Greeks and Romans knew all that was worth knowing, and in addition they forced the scholars to left their self-indulgent attitude: if they missed a whole continent, who knows what else could be missed.

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In the 1507 planisphere ‘Universalis Cosmographia’ America is first named; with it the world map suffered a great transformation, and also the minds — Image Martin Waldseemüller


XVI: Sacred reading for all

Although the press had been invented in 1455, the truth is that in the beginning few books were printed, usually in Latin and they were so expensive that almost nobody could pay for them. The translation of the Bible to vernacular languages was the real hit and it took place along the whole century. A book people wanted to understand made Europeans want to read and write, fact that allowed a new kind of communication between God and the people: without intermediaries.

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The German Bible of Luther and the rest of translations in different languages helped to improve the fulfillment of law and order, which reduced the crime rate to half — Image David Shane


XVII: And yet it moves

Galileo was condemned in 1633 for saying that Earth was moving around the Sun, nevertheless in fact it moves, and in the next years many papers about it were published, and the first scientific societies were founded: the Academia Naturae Curiosorum —after Leopoldina— in Baviera in 1652, the Royal Society in London in 1660 and the Academie des Sciences in Paris in 1666. The change was more sociocultural than technological, changing the authority of the vital matters from the Church to Science, from God to the Man. If you got very ill in 1600 you would call a priest, in 1700 a doctor.

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The heliocentric model was already proposed in the 3rd century BC by Aristarchus of Samos, although the world remained geocentric until the arrival of the ‘De revolutionibus orbium coelestium’ of Copernicus, twenty centuries later — Image A&


XVIII: The illustrate revolution

The main European thinkers embraced Illustration strongly and questioned the legitimation of the power to repress people. Montesquieu, Voltaire and in particular Rousseau —with the publication of ‘The social contract’ in 1762— proclaimed that a State is unfair if treats individuals unproperly, and the French Revolution was mainly inspired by those ideas. A new concept of freedom arised, and they started to talk about human rights and the relationship between men and State was rethought.

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The French Revolution marked the beginning of the Contemporary Age by creating the concept of popular sovereignty and laying the foundations of modern democracy — Image Eugène Delacroix (‘Liberty leading the People’, 1830)


XIX: Communication and speed

A message or a parcel of the year 1830 took long to reach their destination, at least what it took a horse to cover the distance in between these two points. The train and the steam ship were key for the commerce development and spezialitation and for the massive distribution of basic products, something that made disappear the periods of famine in times of peace. Around 1870, telephone changed the speed of information, messages took just an electric pulse to arrive.

Train allowed to the world be closer to the rest of the world — Image Enciclopedia Britannica


XX: War overflows

Until the First World War only soldiers were killed in war. Society was horrified with the number of civil deads, specially after the creation and released of the atomic bomb in the Second World War, that meant humanity had the capacity for the first time in their history, of destroying the whole planet. The USA and the URSS started the so called Cold War and the European Union was created in order to avoid new wars. After the failure of the Soviet communism in 1989 the capitalist occidental values, that in the 1900 were just along Europe, North America and Oceania, spread worldwide.

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The Fat Man atomic bomb was realeased over the Japanese city of Nagasaki in 1945 resulting in the end of the Second World War — Image US National Archives


XXI: Universal pandemic

In November 2019, a virus that passed from bats to humans was the origin of a pandemic which affected quickly all countries in a globalized world, and afterwards several waves and mutations, the seven thousand million population of the Earth became a thousand million. At first, the role of State was essential and many omen and dreamers predicted the return of the failed Communism, although after some time states disappeared and in a natural way Universalism started to rule the world as a new kind of government, based in self-awareness that everything existing is an organic system we belong to, and we should better live in harmony. No doubt good old Ian Mortimer would like to look into it.

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Picture made with electronic microscope of a bunch of coronavirus SARS-CoV-2, in which we can clearly see the surrounding crown of the proteins that give its name to the virus — Image NIAID
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array(4) { [0]=> object(WP_Post)#1669 (24) { ["ID"]=> int(3118) ["post_author"]=> string(4) "2049" ["post_date"]=> string(19) "2012-08-27 00:01:02" ["post_date_gmt"]=> string(19) "2012-08-26 22:01:02" ["post_content"]=> string(2528) "'Si no somos capaces de mejorar la conciencia colectiva, acabaremos a bofetadas'. Licenciado en Ciencias de la Información, trabajó durante años como reportero especializado en temas sociales en los canales públicos Televisión Española (TVE) y Televisió de Catalunya (TV3). En 2000 comenzó a dirigir documentales, y en 2008 creó Minimal Films y dirigió su primera película documental para cines: 'Bucarest, la memoria perdida' (coproducida por TV3 y TVE), galardonada con varios premios: el Goya al Mejor Documental 2009 por la Academia de las Artes y las Ciencias Cinematográficas de España, el Gaudí al Mejor Documental 2009 por la Academia del Cine Catalán, el Premio al Mejor Documental en el Festival Cinespaña 2008 (Toulouse, Francia) y el Premio al Mejor Director en el Festival Memorimage 2008 (Reus, España). Otros documentales de su autoría son 'Historias de agua' (Fundació Agbar, 2002), 'El Cordobés, la España de los milagros' (TVE y Canal Arte, 2004), 'El sueño del agua' (ExpoZaragoza y la UNESCO, 2004), 'La mente del violador' (TVE, 2006) y la serie 'En la cárcel confidencial' (Cuatro, 2006). Su trabajo más reciente es 'Al final de la escapada', presentado en el Festival de Cine Español de Málaga en 2011 y en la Seminci 2012.'If we fail to improve the collective consciousness, we will end by smackings'. He has a bachelor of Information Science and worked for years as a reporter specializing in social issues in public channels Spanish Television (TVE) and Catalan Television (TVC). In 2000 he began to direct documentaries, and in 2008 created Minimal Films and directed his first documentary film to cinemas: 'Bucharest, Memory Lost' (co-produced by TV3 and TVE), which won several awards: the Goya for Best Documentary 2009 by the Academy of Arts and Cinematographic Sciences of Spain, the Gaudí for Best Documentary 2009 by the Catalan Film Academy, the award for Best Documentary at the Cine España Festival 2008 (Toulouse, France) and the Best Director Award at the Festival Memorimage 2008 (Reus, Spain). Other documentaries of his own are 'Water Stories' (Fundació Agbar, 2002), 'The Cordobes, Spain in miracles' (TVE and Canal Art, 2004), 'The Dream of Water' (ExpoZaragoza and UNESCO, 2004 ), 'The Rapist Mind' (TVE, 2006) and the series 'In The Confidential Prison' (Cuatro, 2006). His most recent work is 'The End of The Break', presented at the Spanish Film Festival in Malaga in 2011 and in Seminci 2012." ["post_title"]=> string(112) "WHAT ABOUT: El futuro por Albert SoléWHAT ABOUT: The future by Albert Solé" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(4) "open" ["ping_status"]=> string(4) "open" ["post_password"]=> string(0) "" ["post_name"]=> string(36) "what-about-the-future-by-albert-sole" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2021-05-05 17:57:18" ["post_modified_gmt"]=> string(19) "2021-05-05 15:57:18" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(29) "http://whatonline.org/?p=3118" ["menu_order"]=> int(0) ["post_type"]=> string(4) "post" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } [1]=> object(WP_Post)#1664 (24) { ["ID"]=> int(5859) ["post_author"]=> string(4) "2049" ["post_date"]=> string(19) "2014-05-05 00:01:20" ["post_date_gmt"]=> string(19) "2014-05-04 22:01:20" ["post_content"]=> string(1033) "Una nueva forma de ver la historia del Universo, del planeta Tierra y de la Humanidad: la aparición de la vida, el avance del hombre y el surgimiento de la civilización. Este documental, producido por History Channel en 2012, cuenta 14 mil millones de años de historia a través de un viaje rápido de 120 minutos, desde el principio del tiempo hasta la actualidad, haciendo escala para explorar los puntos de inflexión, los momentos históricos y las extraordinarias conexiones entre el pasado lejano y nuestra vida cotidiana.A new way to see the history of the Universe, Planet Earth and Humanity: the emergence of life, human progress and the appearance of civilization. This documentary, produced by History Channel in 2012, explains 14 billion years of history through a quick tour of 120 minutes from the beginning of time to the present, stopping to explore the turning points, the historical moments and the extraordinary connections between the distant past and our daily lives." ["post_title"]=> string(113) "Catorce mil millones de años en dos horasFourteen billion years in two hours" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(35) "fourteen-billion-years-in-two-hours" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2020-04-29 21:39:40" ["post_modified_gmt"]=> string(19) "2020-04-29 19:39:40" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(29) "http://whatonline.org/?p=5859" ["menu_order"]=> int(0) ["post_type"]=> string(4) "post" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } [2]=> object(WP_Post)#1670 (24) { ["ID"]=> int(3459) ["post_author"]=> string(4) "2049" ["post_date"]=> string(19) "2012-11-26 00:01:22" ["post_date_gmt"]=> string(19) "2012-11-25 23:01:22" ["post_content"]=> string(3175) "'Una época de cambios tan continuos dificulta las hipótesis sobre el futuro'. Licenciado en filología hispánica, empezó a trabajar en publicidad en Vinizius, pequeño estudio que fundó junto a su hermano. Después pasó por varias agencias como Vizeversa, Contrapunto, Casadevall Pedreño SPR y Delvico Bates, antes de fundar *S,C,P,F… en 1996 junto a Luis Cuesta, Ignasi Puig y Félix Fernández de Castro. A lo largo de su carrera ha trabajado en campañas que han ganado premios en los principales festivales nacionales e internacionales y además ha sido jurado en un gran número de ellos, como el de Cannes, el británico D&AD, el Club de Creativos o el de San Sebastián. Algunos de los reconocimientos individuales que ha recibido son 'Mejor creativo del siglo' (revista Anuncios, 2000), único español incluido en la lista '100 Top Creative Minds' (Shots Magazine, 2007), 'Mejor creativo de la década' (revista El Publicista, 2009), miembro del Salón de la Fama de Iberoamérica (Festival Iberoamericano de Publicidad, 2009) y el Premio Nacional de Comunicación, en la categoría de Publicidad (Generalitat de Catalunya, 2009). Es además miembro de los boards de dos prestigiosas escuelas internacionales de publicidad (Miami Ad School en Hamburgo y Berlin School of Creative Leadership) y fue presidente de la junta directiva del Club de Creativos durante sus dos primeros años de existencia. En mayo de 2009 la editorial Espasa publicó su primer y hasta el momento único libro: 'Desde el otro lado del escaparate', una selección de sus reflexiones a propósito del oficio.'A time of such continuous changes hinders any hypotheses about the future'. Bachelor in Hispanic studies, he started his career in advertising at Vinizius, a small agency he founded along with his brother. Then he worked at several agencies such as Vizeversa, Contrapunto, Casadevall Pedreño SPR and Delvico Bates before founding *S,C,P,F… in 1996 together with Luis Cuesta, Ignasi Puig and Félix Fernández de Castro. Throughout his career he’s worked in campaigns awarded at the main national and international festivals, being also jury in many of them such as Cannes, the British D&AD, the Club de Creativos or San Sebastian. Some of the individual awards he’s received are: 'Best creative of the century' (Anuncios Magazine, 2000); the only Spanish included in the '100 Top Creative Minds' list (Shots Magazine, 2007); 'Best creative of the decade' (El Publicista Magazine, 2009); member of the Salón de la Fama de Iberoamérica (Latin American Advertising Festival, 2009) and the National Award of Communication in the advertising category (Generalitat of Catalonia, 2009). He’s also a board member in two prestigious international schools of advertising (Miami Ad School in Hamburg and Berlin School of Creative Leadership) and was president of the board of directors at the Club de Creativos during the first two years of its existence. In May 2009, Editorial Espasa published his first and so far only book: 'From the other side of the window', a selection of his reflections on the trade." ["post_title"]=> string(112) "WHAT ABOUT: El futuro por Toni SegarraWHAT ABOUT: The future by Toni Segarra" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(4) "open" ["ping_status"]=> string(4) "open" ["post_password"]=> string(0) "" ["post_name"]=> string(37) "what-about-the-future-by-toni-segarra" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2021-05-05 17:56:00" ["post_modified_gmt"]=> string(19) "2021-05-05 15:56:00" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(29) "http://whatonline.org/?p=3459" ["menu_order"]=> int(0) ["post_type"]=> string(4) "post" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "1" ["filter"]=> string(3) "raw" } [3]=> object(WP_Post)#1817 (24) { ["ID"]=> int(3684) ["post_author"]=> string(4) "2049" ["post_date"]=> string(19) "2012-12-31 00:01:13" ["post_date_gmt"]=> string(19) "2012-12-30 23:01:13" ["post_content"]=> string(2045) "A partir de la evolución de las nuevas tecnologías y del pensamiento contemporáneo, el futuro se presenta plagado de retos muy diversos. En el ámbito laboral, por ejemplo, es un futuro en el que deben convivir sistemas abiertos como Linux con egos y patentes en feroz competencia. En este capítulo del programa 'Soy cámara' del CCCB Centro de Cultura Contemporánea de Barcelona, titulado 'Pensar el futuro', se analizan las posibles causas y consecuencias de este panorama, como la pérdida del espíritu artesanal o fenómenos tan dramáticos como la serie de suicidios de la multinacional France Télécom, donde 30 empleados se quitaron la vida en menos de dos años. El programa cuenta con fragmentos de entrevistas y conferencias de Francisco Jarauta, Tzvetan Todorov, Richard Sennett y Sidi Mohammed Barkat, pensadores y filósofos que exploran el tema de manera pedagógica, creativa y responsable, pero también irreverente, humorística y crítica.Due the evolution of new technologies and contemporary thought, the future is full of diverse challenges. In the work environment, for example, is a future in which open systems such as Linux have to live with patents and egos in fierce competition. This chapter of the the CCCB's (Centre of Contemporary Culture of Barcelona) 'Soy cámara' (I'm camera), entitled 'Thinking the Future', discusses the possible causes and consequences of this scenario, as the loss of spirit phenomena craft or as dramatic as the number of suicides in the multinational France Télécom, where 30 employees committed suicide in less than two years. The program includes excerpts of interviews and conferences of Francisco Jarauta, Tzvetan Todorov, Richard Sennett and Sidi Mohammed Barkat, thinkers and philosophers to explore the topic in a pedagogical manner, creative and responsible, but also irreverent, humorous and critical." 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